An Interview with Thomas Dodd - by Combustus Magazine

Combustus: Folklore and myths figure quite prominently in your work. Can you tell me what draws you into these stories? If you were ever moved to do an autobiographical piece, which folktale figure would you invoke? Or are these all aspects of yourself already?

Thomas Dodd: I have always been fascinated with myths and fairy tales. I think because they elicit such a strong response from the subconscious mind because at their core they deal with archetypal forces and facets of human nature that we all share.
These ancient stories were how our ancestors codified human psychology through representing forces of the self and the universe as Gods, Goddesses and supernatural events.
I have been told more than once that all of these images are just different facets of my own being and I have to agree with that assessment, although I am not ruling out making an appearance in my own work as a mythic creature at some point in the future. . The one time I portrayed myself as a transformed being, it was as the crucified Christ. This was not only a link to my Catholic upbringing, but my way of showing that the Christ metaphor remains so strong in our culture because all of us have felt the death/rebirth experience many many times in our lives.

Combustus: What kind of response did you get to this piece, Thomas? Were you at all surprised?

Thomas Dodd: People seemed to really like it and wanted to see more self portraits. I was mildly surprised by that because I think the models I work with are infinitely more photogenic and interesting than I am!

Combustus: What we love is intimacy and authenticity and vulnerability. And courage. That is what connects us, one to the other.

Thomas Dodd: Yes, and I do try to infuse every fiber of my being into my work, whether it is a picture of a model or myself. I see what you mean though, that self-portraits are particularly “revealing” of the true essence of the person.

Combustus: Yes, I am intrigued with where Thomas Dodd fits into these stories. By photographing The Feminine in others, are you able to access this part of yourself? Is this one of the gifts being an artist affords you?

Thomas Dodd: I think that my art is a way I integrate both my masculine and feminine selves. It certainly allows my anima to be portrayed. I depict masculine energy in a completely different way than my portrayals of femininity. I view the masculine side as the voyeuristic half, beholding the beauty of the feminine side.

Combustus: Please tell me about “The Inquisitor.” It is decidedly different from the rest of your work and elicits very strong reactions, doesn’t it?

Thomas Dodd: The few times I have used males in my work, I’ve looked for older and more interesting faces. “The Inquisitor” came about when the female model told me she was willing to shave her head on camera. I instantly thought of the Spanish Inquisition and how the Inquisitors shaved the heads of the women who were accused of being heretics, to humiliate them and make them vulnerable and truly “naked”. So that is what this is depicting. I think the male has a face that tells a story; there is a malevolence and piousness about his look. And the female prostrated in front of him also speaks volumes as well.

Combustus: Thomas, how would you like to affect changes in the art world?

Thomas Dodd: I think my role as a creator in the digital realm is where I can affect change – that I can show people that art created on the computer is just as much fine art as other mediums are.

Combustus: In your video you made reference to the classical painters who have served as inspiration for you.

Thomas Dodd: Yes, I am definitely more influenced by painters than photographers. I love Rembrandt and Caravaggio for the way they rendered light and skin tones, Giuseppe Arcimboldo for his fusion of plant and human forms, the Pre-Raphaelites for their depiction of myth and feminine beauty, and perhaps the biggest influence on me is that of the Symbolists, because they perfectly united the metaphoric and the beautiful in their works.

Combustus: Critics of digital editing will say that there is an intimacy lost with this technique, compared to the days when we were developing our negatives in darkrooms. That hands-on experience of getting the chemicals on your hands, the odor… Yet you find digital editing to be an infinitely intimate experience, yes?

Thomas Dodd: Yes, extremely intimate. Although this is all taking place on a computer, it is definitely an immersive experience for me and I meticulously craft my images, layer upon layer upon layer.
I think some detractors of digital imagery perhaps think that it is a one click process or that there is some filter that is magically applied to the photos to make them look the way they do, but I can assure you that it is a craft like any other that takes years to get good at. I will say that although most of my work is done on the computer, I still think of it as an organic and natural process and I strive for the end result to show that.

Combustus: Are your models ever surprised with where you land when the image is completed? Do they say you have uncovered parts of themselves they didn’t know existed? Or that you have created completely new characters with their forms as simply the starting point?

Thomas Dodd: Some models have told me that I have revealed facets of their personality that they knew existed but hadn’t seen depicted in a tangible form yet. Others have told me that I “idealized” them in some way – made them a bit more beautiful or mythic. I always look for something deeper when I photograph them. A lot of photography is on the surface and yet so much of great art goes deeper than that and reveals the very essence of the subject being depicted. That is the kind of art that intrigues me and that is what I set my sights on achieving in my work.

Combustus: Yes I see this, very much. I imagine you as you walk down the street and make your way through your day seeing the beauty within those you pass, yes? Am I not too far off base?

Thomas Dodd: Yes, definitely, that is the gift of doing this. I have realized that everyone has something beautiful or intriguing about them in some way. My job is to find that and enhance it.

Combustus: A beautiful gift, Thomas. How it must enrich your life. Imagine if we all adopted this practice. How much different the world would be. Instead of looking suspiciously at one another, preparing ourselves to be disappointed, expecting the worse…if instead we could be looking, ever-vigilant, for the beauty that may only be partially hidden.

Thomas Dodd: Yes, and another tragedy is the way that so many people (women in particular) feel ugly or not beautiful enough because of the utterly false and misleading way that beauty is defined in pop culture. People chase after an illusion while failing to see how beautiful they really are.

Combustus: Did someone do this for you, as a child, perhaps? See the beauty, the potential, the magic, within you? Is this your way of expressing gratitude for being given this way of seeing?

Thomas Dodd: I had supportive parents who definitely encouraged me to be whatever I wanted to be, but I would say that I too have gone through periods of self-doubt and periods where I felt unattractive or like I was getting old and losing my looks, but photography and particularly the success I have had at it has made me feel more attractive and vital than I ever felt before at any point in my life ...Yet another gift from this journey.

https://combustus.com/thomas-dodd-photographer-mythmaker/

Ten Random Things I Have Learned From Being An Artist 

1) Believe it or not, your work doesn't speak for itself. Perception may not be everything but it is a HUGE part of what we do. The way you speak, write, look and present your work will either elevate it in people's eyes or take it down several notches. 

2) If you choose to compete with the locals, then you will stay local. It is better to to band together with your peers to help each other out (by organizing shows together and trading information and resources) and then set your sights on competing with the national talent. By doing this, you can avoid the petty squabbling and mean-spirited "competition" that aspiring artists often find themselves embroiled in.

3) If you are chasing a certain trend because it is currently popular, then you have already lost the game, because whatever is currently popular is by definition on it's way out. Failed artists chase trends, opportunists anticipate trends, true artists ignore and/or create them. 

4) If you gauge your self worth from a stranger's opinions, you are screwed. On the other hand, if you don't occasionally get honest critiques from insiders that you respect, you are screwed too... Beware the Dunning Kruger effect! 

5) You will hear the word "no" way more often than you'll hear the word "yes", but once you hear the word "yes" from an industry gatekeeper, most of the people who earlier said "no" to you will now say "yes" as well... 

6) Never talk shit about anyone else - word travels quickly and talking smack about others ends up making YOU look bad, not the person you are talking shit about! 

7) Never rest on your laurels - always be planning the next step. 

8) Stop worrying about being commercial. Worry more about becoming the best artist you can be. If you have to support your craft by getting a job unrelated to it then do so and develop your art without the immediate concern of making a living from it. If you start making compromises and decisions about your creations based solely on making money, you may eventually end up despising what you do.. 

9) Learn how to graciously accept a compliment and graciously accept a criticism (even a rude and hostile one; responding in kind will make you look just as bad as the one doing the insulting) The best way to respond to a critique is to say "thank you"... Not with excuses or counter-critiques! 

10) Whenever you are in a slump or feeling uninspired, that means it is time to promote the work you have already created. Conversely when you are feeling creative; then work like hell and leave the promotion to others (or wait to start doing it again during your next inevitable slump).. 

Feel free to share and add to this list as you see fit.. 

email logo.jpg

My Manifesto (kind of!) for the Digital Age..

I have never been a purist and in fact, no one really is,. 
It is only through bastardization and hybridization that innovation takes place and the digital revolution has swung the door open for late bloomers (and young bloomers as well) like me to start making images and breathe new life into the art of Photography..

Yes, there are millions of people calling themselves photographers now and photo-sharing sites have exploded with tons of images creating a lot of visual noise and competition for the jaded eye to sift through in search of the latest masterworks.

But like any revolution in art, the dabblers and the dilettantes will fade away eventually and those who are truly passionate about their craft, innovative in their creations and persistent in their self promotion will have their work admired and appreciated by a future generation of aspiring photographers.

We can't all be Man Ray or Diane Arbus, but there is a place for everyone in this popular and populist art form of Photography, from the hobbyists who like to document the minutiae of their daily lives. to the jaded pros who have spent more on their latest lens than you did on your last car, to the Photoshop-reliant imageshifters of the Digital age...

Me and Joel Grimes at Imaging USA 2018 in Nashville Tennessee

Me and Joel Grimes at Imaging USA 2018 in Nashville Tennessee

Imaging USA 2019- Atlanta, Georgia (January 19, 2019)


I will be teaching a 3 hour class at the largest photography conference in the world (taking place in my hometown of Atlanta this year).
Imaging USA is a yearly symposium/trade show sponsored by PPA (Professional Photographers of America). My workshop is called “Making a Life and a Living as a Fine Art Photographer” and it will cover marketing methods and techniques for aspiring Fine Art photographers.
My class will take place from 1pm until 4pm at the Omni Hotel, International Ballroom C, North Tower, M2 (International Ballroom Level). Hope to see you there!

Image by CHELSEA TRACY

Image by CHELSEA TRACY

Solo show at Creason’s Fine Art Gallery - New Orleans, Louisiana (December 2018)

I am returning to New Orleans once again to be part of this year’s PhotoNOLA celebration.
My solo show “The Photographic Art of Thomas Dodd” will be on display at Creason’s Fine Art Gallery in the French Quarter ( 831 Chartres St.) from Saturday December 15 until Sunday December 22. There will be an opening reception on Saturday (12/15) from 6pm until 9pm and the general public is invited - free of charge.
https://photonola.org/event/the-photographic-art-of-thomas-dodd/

Creasons Lily small.jpg

Solo Show in Trenton New Jersey

"The Painterly Photo" - Artworks Trenton- Trenton, New Jersey (April 28  - June 2, 2018)
My next solo exhibition will take place in Trenton, New Jersey beginning on April 28th and running until June 2, 2018
"The Painterly Photo" will feature 18 of my medium scale photographic prints and Artworks Trenton will also host me for a mini-workshop and gallery talk on the 28th of April (starting at noon and running until 3pm, followed by a gallery  talk until 4pm)
The opening reception (free to the public) begin at 7pm and runs until 9pm
You can find out more about the event  on the Artworks Trenton website.
http://artworkstrenton.org/       

Me and some Jersey girls

Me and some Jersey girls

2 Shows at Haven Gallery in New York (Feb - May 2018)

I have work in 2 upcoming shows at what is widely considered to be the premiere gallery for pop surrealism in the USA - Haven Gallery in Long Island, New York:

"Vanitas" - Haven Gallery - New York (Feb. - March 2018)

I will have a piece ("Gathering Flowers For His Grave")in this forthcoming "Death"-themed exhibition which is my fourth exhibition there and as always,they have a stellar lineup of artists included.The show opens on Feb. 24 and runs until March 31, 2018

After that show ends, I will have a piece (“Echo”) included. in a dream-themed exhibition named “La Reve”. That exhibition opens on April 7 and runs until May 12, 2018

The opening reception is on April 7 from 6 until 8pm.

http://www.havenartgallery.com/

28276416_10156220687973383_5023214347114606001_n.jpg

Imaging USA 2018 - Nashville Tennessee

I am pleased to announce that I am one of the featured speakers/teachers at one of the most prestigious Photography conferences in existence.
Imaging USA 2018 is PPA's ( Professional Photographers of America) annual conference and features all the top-tier photography companies and photographers from around the globe. I will be presenting a one hour demonstration (Sunday Jan. 14 at 6:45pm) on my techniques and methods called "The Painterly Photo". Imaging USA takes place at the Gaylord Opryland Resort in Nashville Tennessee.

ImagingUSA2018